

While pursuing a degree in molecular biology and masters in biomedical illustration, Sue Benner created her vision of the microscopic universe in painted and quilted textile constructions. Her early work propelled her to become a studio artist in 1980, working primarily in the medium which later became known as the Art Quilt. Sue is an innovator in her field, creating original dyed and painted fabrics which she combines with recycled textiles to form fields of structured pattern, vivid beauty, and riotous variation. Sue’s artwork is in many private, corporate, and institutional collections. She also lectures and teaches workshops nationally and internationally in the fields of surface design, textile collage, fused quilt construction, and artistic inspiration. Her work has been juried into Quilt National seven times, and she served as a juror in 2009. Living in Dallas, Texas with her husband, Craig Jett, and their two sons, Sue works in her studio built in the backyard of their family home. However, a part of her heart resides still in her home state of Wisconsin. |
![]() Sue Benner with Cellular Structure VII |

There is always an underlying structure in my work, a set of rules. I think of each piece as a small world where I can declare the laws of nature. My love affair with fabric began with my first memories of the clothes my mother made me, recalling exact hue, fiber content, and weave. In the following years, my mother taught me to sew, carefully and creatively. My father always had a pencil in his hand or behind his ear, drawing on napkins in restaurants and painting on the weekends. He inspired and encouraged me in art. My education in molecular biology and medical illustration still figures in my work with an underlying sense structure and organizing principles. I see a direct connection with the concept of quilt and the assembly of units to make a larger whole. I work on 5-10 quilts at a time, often in two different series. This way of working suits the nature of my mind. Series and ideas overlap, playing off of one another. I use my visual vocabulary to weave my work together, creating patterns and layers of meaning. I revel in the simple act of placing one fabric next to another. |

Jane Sauer Gallery, Santa Fe, New Mexico
Fine Line Designs Gallery, Ephraim, Door County, Wisconsin
Marie Park Studio, Private Art Dealer, Dallas, Texas Email

| EXHIBITIONS
Reservoir: John M. Walsh III Collects, San Jose Museum of Quilts and Textiles, San Jose, California; 2009. WORKSHOPS, LECTURES, JUDGING Quilt National 2009, juror. SELECTED PUBLISHED WORKS American CraftAmerican Quilter America's Quilts The Art Quilt Art/Quilt Magazine Award Winning Works of the 5th Quilt Nihon Exhibition Color: The Quilter's Guide Contemporary Quilt Art: An Introduction and Guide Contemporary Quilts: Quilt National, 1997 Diverse Voices of Women Fabric Gardens Fiberarts Design Book Fiberarts New Quilts: Interpretations and Innovations The New Quilt 2 On Wisconsin Popular Patchwork Quilt National: Contemporary Designs In Fabric The Quilter’s Catalog: A Comprehensive Resource Guide Quilting International Quilting Today Surface Design Journal Visions: QuiltArt Visions: Quilts of a New Decade Visions: Quilts: Layers of Excellence EDUCATION University of Texas Health Science Center at Dallas, Southwestern Graduate School of Biomedical Sciences, M.A. in Biomedical Communication/Illustration,1978-1980, 1984 University of Wisconsin - Oshkosh, Art Studies, 1977-1978 University of Wisconsin - Madison, Honors Program B.S. in Molecular Biology, 1977, Phi Beta Kappa, 1976, 1977, UW-Madison Communications Award, 1977 |
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